Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Wednesday, August 26, 2026

Why is the 1991 American film The Silence of the Lambs considered one the 1000 best films?

Apart from the fact it’s well written, well directed and well acted, “Lambs” completely changed the way we thought about horror films.

In the past, horror films involved an antagonist that was scary because they were violent for no well defined reason, except maybe they didn’t like teenagers having sex. They were silent monsters without a thought in their brain except to kill, kill, kill. They were also really, really ugly.

(Typical horror movie antagonist - Leatherface from The Texas Chainsaw Massacre, a good film in its own right).

“Lambs” gives us two antagonists in its “plot within a plot” format (which itself created an innovative storytelling technique), The first is our “main” antagonist:

Meet “Buffalo Bill”. Bill isn’t a homicidal maniac, but he is a killer. He’s not crazy, just deeply disturbed. Bill thinks he’s transsexual, but he isn’t. He doesn’t use a chainsaw, he uses a couch to lure in his victims and a pit to finish them off. Bill’s actions aren’t random - he wants to make a suit out of human skin which he can wear to look like a woman. He picks his victims very carefully - overweight young women who he starves so their skin will be easier to harvest. He’s also fairly smart.

However, he’s picked the wrong victim. The FBI is after him, and they have chosen this young agent to help hunt him down - she’s our protagonist.

Meet Clarice Starling - a pretty young FBI agent straight out of the academy. She soon realizes she’s a pawn in the FBI’s game, but she’s damned if she’s going to let this career opportunity go to waste. She’s been chosen to try to manipulate another killer, and here is where the horror genre is blown out of the water.

Hannibal Lecter. Possibly the scariest character in movie history. Currently serving multiple life sentences in a specially constructed cell which he never leaves. He was a psychiatrist who was obsessed with killing people and eating them. He would have gotten away with it too if some FBI agent hadn’t lucked out. The agent barely survived his encounter with Lecter. However, despite being extremely dangerous he’s also incredibly intelligent, outwardly charming and supremely manipulative. He’s our secondary antagonist.

Hannibal has information the FBI needs. They hope Clarice will appeal to him and he will give up the identify of Buffalo Bill. Bill’s case is well known to Hannibal, but the FBI thinks that Hannibal knows his identity.

But Hannibal’s problem isn’t with Clarice, it’s with this butthead:

Doctor Frederick Chilton. Hannibal’s pretty much at the mercy of this butthead, who takes delight in torturing Hannibal for his own purposes. He’s also trying to help out the FBI and thinks he can do it by putting pressure on Hannibal. He’s our secondary protagonist. Essentially, it’s a race between him and Clarice to get the information out of Hannibal. However, Chilton’s primary motivation is to make Lecter’s life a living hell.

Let’s just say that nothing goes to plan and examine some of the other ways the story is told.

The entire theme of the movie is manipulation, with each character at some point trying to manipulate one of the others to get their way. Even Clarice gets into the act, offering Hannibal the chance to actually spend some time in the “real world” on a beach on an island. Manipulation and counter manipulation run rife as when a character realizes they are being manipulated, they often manipulate back (Hannibal knows they won’t let him out of his cage).

The movie also allows the audience to be engrossed in the story at several points, allowing them to get inside Hannibal’s mind at several points. Not to give too much away, watch for the scene where Chilton can’t find his pen (don’t worry, you will know exactly where it is) and one where they find a dead guard in the elevator shaft (yeah, you will figure out what’s going on right away then too).

And like any good horror movie, the move implies more horror than it actually reveals, and keeps you on the edge of your seat sometime waiting for something bad to happen.

Wednesday, July 15, 2026

How do Chinese houses differ from American houses?

 A picture is worth a thousand words:

This is where an average Chinese middle class hangs out.

This is where the average American middle class lives.

That's a quarter of the Chinese upper middle class.

This is what an upper-middle-class American neighborhood looks like.

A house in a Chinese village

Another house in a Chinese village

An American country house.

Another American country house.

P/S

I want to use these pictures to show that houses in the USA offer more living space for certain social classes than houses in China. In urban areas, an average family would likely live in an apartment building rather than a country house. In rural areas, there is a difference between houses in a rich and a poor village, but even there, living space is rather limited. Here are some more pictures of villagers from different parts of China.

Friday, November 14, 2025

Why do American prisoners wear orange jumpsuits?

 A specific scene in many American prisons, well-known thanks to films from across the Atlantic. The inmates are often dressed in a bright orange uniform.

But why this specific orange color? I'll explain.

First, in any prison in any country in the world, every effort is made to ensure that prisoners wear identical clothing. This is one of the characteristics of the system: it is essential to prevent any individual from standing out from the crowd. The punishment is then felt even more intensely.

Prison clothing must also be visible. That is, it must be easy to spot an inmate in case of an escape. For example, prisoners were often dressed in striped clothing, which is still used today, for instance, for those sentenced to life imprisonment in the Russian colonies.

In the United States, inmates are now dressed in bright colors—so that security can see them from a distance, especially from above. The color orange is very rare in large quantities in nature, so if an inmate decides to escape, they will be easily spotted against the landscape, for example, against a green forest or white snow.

By the way, there's also a color-coded system for American prison uniforms. The well-known orange color signifies that the inmate in front of you is an ordinary, moderately serious criminal. In contrast, the much rarer bright red uniform symbolizes that its wearer is a particularly dangerous individual, prone to escape.

Sometimes, American prisoners also wear pink uniforms. This color can designate, for example, prisoners who categorically refuse to submit to prison rules. Basically, complete rebels.

The use of the color orange in the clothing of many American prisoners began to spread about a hundred years ago. Originally, the prison uniform was striped - orange and white.

Criminal psychologists also support the choice of orange. They believe that bright orange robes do not oppress a person's psyche as much as dark colors like black or blue. Consequently, an inmate has a better chance of rehabilitation and being released with a clear conscience.

However, in some less remote parts of the US, inmates casually wear, for example, jeans and blue shirts. The orange robes are only provided for transport—to prevent them from escaping from the notorious prison buses.