Thursday, September 24, 2026

Which are the best Duos of South Indian film industries?

 Rashmika Mandanna and Vijay Deverakonda

Ram Charan and Jr. Ntr

Prabhas and Anushka Shetty

Allu Arjun and Pooja Hegde

Shruti Hassan and Mahesh Babu

Bramhanandam and Yogi Babu

Venkatesh and Mahesh Babu

Nani and Sai Pallavi

Thalapathy Vijay and Trisha Krishnan

Rajnikanth and Laxmi

Varun Tej and Rashi Khanna

Dhanush Raval and Rashi Khanna

Prakash Raj and Dhanush Raval(Together they have been appeared in almost 20–30+ films in South Indian Film Industry)

Samantha was Prabhu and Naga Chaitanya (best duo in South Indian film industry,have no comparison gor this jodi)

Which is a more dangerous river, the Amazon, or the Congo?

 The Amazon carries five times more water, but you can safely sail it for thousands of miles. The Congo is a 650-foot-deep hydrological nightmare of rapids and boat-flipping hippos.

The Amazon is an enormous but mostly steady, continuous lowland river. Once past its Andean origins, it spreads out wide and flat, flowing predictably toward the Atlantic. This makes it highly navigable; commercial ships can travel uninterrupted deep into the South American continent.

The Amazon River snakes through the Brazilian rainforest. Despite its immense volume, the river features a broad, steady flow that makes it highly navigable. Photo by Catedral Verde is licensed under CC BY-SA 2.0.

The Congo, by contrast, is structurally violent. It holds the record as the deepest river in the world, with local measurements in the Lower Congo exceeding 200 meters. Through narrow gorges, its currents accelerate to over 4 meters per second, creating extreme hydraulic turbulence. Rather than offering a smooth path to the ocean, the river drops violently over a series of cataracts. The most notorious is Inga Falls, a chaotic complex of rapids that, along with the broader Livingstone Falls, severely fragments the river and blocks continuous navigation from the interior basin to the Atlantic.

Biologically, the threats differ sharply. The Amazon's dangers are heavily sensationalized by pop culture. While black caimans are a verified threat, piranhas rarely attack healthy humans, and verified green anaconda fatalities are exceptionally rare. Bull sharks venture inland, but they do not pose a frequent hazard to daily river activity.

A hippopotamus opens its jaws in an aggressive display. Hippos are highly territorial and represent one of the most lethal wildlife threats in African river systems. Photo by Charles J. Sharp is licensed under CC BY-SA 3.0.

The Congo’s primary wildlife hazards are active, aggressive, and highly lethal. The river is heavily populated by Nile crocodiles and hippopotamuses. Hippos are intensely territorial and frequently capsize small boats, unprovoked, to defend their stretch of the river. Their aggression makes simply traveling on the Congo’s waterways a daily risk for local fishers and commuters. Between the relentless currents, unnavigable rapids, and lethal wildlife, the Congo represents a much harsher environment.

Who was the first don of Mumbai?

Karim Lala (1911–2002) is proverbially known as the first crime lord of Mumbai.

Afghan : He belonged to Kunar province of Afghanistan.

Poverty compelled him to relocate to Mumbai (then Bombay).

He lived in Bhendi Bazaar, an impoverished Muslim dominated area.

Worker : He started his life as a simple dock worker at Mumbai port.

Recovery agent : Later, he became a recovery agent for money lenders and property owners.

His dementor and mannerism made him a curious personality.

Gang : Cops claim that he soon formed a gang of fellow Pathans.

His gang collected money on the behalf of rich tycoons from victims.

Later, it became notorious for extortion business, kidnapping, extortion etc.

Turf : His illicit activities were centered around Muslim dominated areas (Bhindi Bazaar)

He run a durbar ( personal court) for mediation and counselling.

His writ ran large across these areas as many feared him.

Robinhood : Ironically, he was seen as a Robinhood by poor Muslims as he used to help them.

Interestingly, he maintained a good public image among urbane Mumbai.

He was quite friendly with who's who of Mumbai elite.

Movies : Many movies like Gangubai Kathiawaadi, Angaar , Insaaniyat , Once upon a Time in Mumbai have depicted his character.

Facts : But, a tough police action against his gang pushed him into an early retirement.

He later ran hotels and a travel business ; far away from his former life of crime

Pic Credits : Google Images / Web

What are some of the biggest career mistakes of Bollywood stars?

 These substantial mistakes dented the careers of below mentioned actors:

credit - google image

Aamir Khan - Aamir used to own and rule the box office. He had monumental hits like- Ghajini, 3 Idiots, Dangal, Dil, Raja Hindustani, PK. Aamir’s movie PK had objectionable scenes involving Mahadev ( A character playing Mahadev have been mocked ), aided by Aamir’s statement of India as an unsafe place and visit to Turkey ( a prime enemy of India and sharing evening with the Turkey President ) has in combination led to immense downfall of his public image. Every new Aamir’s movie gets boycotted and cornered. These all events were self goals by Aamir. People still fail to understand - how Aamir ( a perceived movie genuis ) agreed these controversial scenes in PK. His last movies have not been successful, while Taare Zameen pe was a moderate sucess. His production house having duds one after another ( Ek Din, Batwara 1947). In the recent interviews, podcast- Aamir cries often, the loss is clearly visible on his face, in his answers ( see the Rajat Sharma - Aap ki Adalat, podcast with Riya Chakraborty). Aamir may still strike back with a big bang movie, however, has permanently lost a section of audience and some prominent years of career and box office sucess.

credit - google image

Vivek Oberoi: Vivek had smashing debut and all round success with Sathiya, Company and it was like a star was born. His feud with Salman, and his infamous press confrence doomed his career. Although, Vivek still survived and still doing films, and being a great businessman, however, earlier sucess was not matched. In his interviews - he has informed many times that- he was thrown out of movies, he was asked not to attend parties, film award shows. People were afraid to work with him. Vivek certainly missed Movie super stardom, although in practical life Vivek is doing very good and a known man of charity.

Shiney Ahuja arrested for crime, Vinod Khanna taking a career break at prime were also prominent career breakers.

Jai Hind!

How did they get water in ancient Greek cities like Sparta and Athens (no aquaducts)?

 People in ancient Greek cities like Sparta and Athens got water from, well, wells. When I was excavating the ancient Greek city of Sicyon we also did some work at the well of the agora, just a few meters from the buildings that we were digging. And remember the “this is Sparta” scene in 300? It was based on a real incident and it involved a well.

And it wouldn’t be just a well in the center of the city. There would be many. My father’s home at a village on the mountain had an well as many old houses did. Although it’s in a small village there used to be 2 public fountains with drinkable water that still work, the building around them built in the 18th century. Even in a smaller village on our way there we used to stop and fill bottles with water from a fountain by the road. One may find such fountains in many villages, for example here’s the fountain at the central square of another village of Pelion, near my house at Volos.

Notice the snow, people used to collect it at use it as water later on

There were plenty of springs and ancient Greek cities would be built in places with underground water, making wells and fountains at the springs. Also cisterns were a thing. This has been a common thing to watch again at the villages of my parents, especially in farmhouses by the slopes. A small stream or a spring or just rainwater would fill a cistern and that was useful in premodern Greek houses. And as for ancient Greek cities Pausanias mentions such things in his Description of Greece.

In Athens he mentions springs and cistern all over the city and a fountain built by Peisistratus. In Corinth he writes that that there are many wells and that the city had plenty of water even before emperor Hadrian brought water from a nearby lake. Even small ancient Greek cities such as Hermione is mentioned to have several wells old and new. The small Phocian city of Lilea had baths and plenty of water as it had springs from which the river Cephisus began. The rule was for Greek cities was to have lots of wells as Pausanias mentions that the Phocian city of Stiris being in a high and rocky place had few wells with water good only for washing and for animals, the drinking water provided by a spring 700–800 meters further down.

Fountains seem to be found in many Greek cities besides Athens. Pausanias mentions fountains in Megara, Corinth, Mycenae, Epidaurus, Troezen, Sparta, Therapne (also a fountain on the way to this Lacedaemonian town), the ruined city Cyphanta, and Messene, at its agora,

(which reminds me I should visit it)

The people of Corone get drinking water from a fountain in a plane tree. Also fountains are mentioned in the Arcadian city of Aliphera, another outside Tegea, where he mentions another fountain too. In Thebes a fountain is mentioned at the site of the battle against Alexander and some other fountains too are there. There’s a fountain at Orchomenus mentioned too. It was pretty much a rule for a city to have such things that when Pausanias speaks of Panopeus, a city in Phocis, he is sarcastic about calling it a city since it lacks the basics such as gymnasium, theater, agora and no water descending to a fountain. Apparently it had water but they weren’t “civilised” enough to have a fountain. Another town in Phocis, Hyampolis, is mentioned to have only one well and this is mentioned as an oddity as it was their only supply of water besides winter rains. Here emperor Hadrain only built a stoa, no aqueduct.

This brings us to the false premise of the question.Greeks did get water through aqueducts too. No fancy bridges etc over huge distances but still impressive aqueducts occasionaly, such as the one in ancient Samos.

This was built for the ancient Greek city on the island of Samos way before the famous Roman aqueducts. Pausanias also mentions the city of Kirra being provided water through a channel they had made which brought water for the nearby river Pleistus. So, although ancient Greek cites as a rule would have water from wells, springs, fountains, etc they would occasionally make a channel or an aqueduct to bring the necessary water.

What are some of the list of the blockbuster movies of Rajnikanth?

 Darbar

Coolie

Andha Kanoon

Giraftaar

Shivaji:The Boss

Jailer

Kaala

Robot

Robot 2.0

How does the Devi Bhagavatam portray Parvati, and why do some interpretations contradict each other?

 The Devī Bhāgavatam is a Śākta oriented Purāṇa whose presiding deity is Devī Bhuvaneśvarī. It also portrays Bhagavatī Pārvatī as the Supreme Śakti.

■ It identifies Bhagwatī Pārvatī as nondifferent from Bhagwatī Bhuvaneśvarī like ❝धात्री धराधरसुते ~O Bhuvaneśvarī, O Daughter of the Mountain (Pārvatī).❞~3.4.41 ❝ अनंताक्षिमयं रूपं दर्शयामास पार्वती ~Pārvatī revealed a form composed of infinite eyes.❞~7.28.33 ❝ त्वं ह्रीः कीर्तिः स्मृतिः कान्तिः कमला गिरिजा सती । दाक्षायणी वेदगर्भा सिद्धिदात्री सदाऽभया । ~oh Devī mahāmāyā ! You are Hrī, Kīrti, Smṛti, Kānti ;You are Kamalā, Girijā (daughter of the mountain), and Satī.You are Dākṣāyaṇī, , vedagarbhā, siddhidātrī,and You grant fearlessness. ❞ ~8.1.32


■ Devī Bhāgavata Purāṇa describes Bhagavatī Pārvatī as both Parabrahman and Parāśakti. :-

❝रूपं मदीयं ब्रह्मतत्सर्वकारणकारणम् ~My own true form is Brahman, that which is the cause of all causes. ❞

❝ सा च माया परा शक्ति शक्तिमत्यहमीश्वरी ~That Māyā is Parāśakti and I am, the supreme sovereign Goddess, the very possessor and embodiment of that Power.❞~12.8.62–66.

■ She is the one whose feet grant liberation ❝संसारसागरोत्तारपोतीभूतपदाम्बुजे ~You are the one who lifts souls from the ocean of worldly existence, and whose lotus feet have become the very means of crossing the worldly ocean!❞ It also mentions :-

❝ ब्रह्मादयोऽपि विबुधास्त्वत्पादाम्बुजसेवया । विश्वसर्गस्थितिलयप्रभुत्वं समवाप्नुयुः ।।

Oh Devī !! Even Brahmā and the other wise gods attained lordship over the creation, maintenance, and dissolution of the universe by serving Your lotus-feet ❞ ~Devī Bhāgavatam Māhātmyam 3.46–47


■ She is pūrṇa-svarūpa of Parabrahman ❝नारायणी विष्णुमाया पूर्णब्रह्मस्वरूपिणी ~Devī Pārvatī is Nārāyaṇī, the sole refuge of all jīvas. She is Viṣṇu-māyā, the supreme Śakti of Śrīmān Viṣṇu. She is pūrṇa brahma svarūpiṇī , that Brahman in essence. ❞ ~9.1.14

■ She is the very embodiment of all powers, the eternal Śakti of the Lord. ❝ सर्वशक्तिस्वरूपा च शक्तिरीशस्य संततम् ~She is the very essence of all powers. She is the inseparable power of the Supreme Lord ❞ ~9.1.18

■ Everything is her manifestation :-

❝ बुद्धिर्निद्रा क्षुत्पिपासा छाया तंद्रा दया स्मृतिः । जातिः क्षांतिश्च भ्रांतिश्च शान्तिः कान्तिश्च चेतना ॥तुष्टिः पुष्टिस्तथा लक्ष्मीधृतिर्माया तथैव च ।

Bhagwatī Umā is intellect, sleep, hunger and thirst; shadow, drowsiness, compassion, and memory. She is jātiḥ, forbearance, delusion, peace, beauty, and consciousness itself. She is satisfaction, nourishment, prosperity (Lakṣmī), steadfastness, and also Māyā.❞ ~9.1.19–20


■ She is ❝ त्वमजरामरणेऽनघे ~O Devī !! You are free from decay, beyond birth and death, and absolutely pure or not bounde by actions ❞ ❝विष्णुशंकरब्रह्मादिस्वरूपेऽनंतविक्रमे ~You whose very essence appears as Viṣṇu, Śaṅkara, Brahmā, and all other deities, and whose power and might is beyond the mind.❞

Also ❝ सृष्टिस्थितिकरे नाशकारिके कांतिदायिनी । महातांडवसुप्रीते मोददायिनि माधवि ॥ ~O Pārvatī !! You are the One who performs creation and sustenance, and You are also the power that brings about dissolution. You are the bestower of radiance, beauty, and splendor, the luminous energy that illumines all existence. You are supremely delighted in the great Tāṇḍava which is performed by Lord Śiva. O Mādhavī, sister of Śrīmān Nārāyaṇaḥ, you are the giver of joy, bliss, and delight.❞ ~10.12.40 (Devakṛta Pārvatī Stuti) .

■ Devī Girijā is the embodiment of divine truth. The truth of the Ultimate Reality, the supreme consciousness. she is the embodiment of Consciousness. ❝तस्या नाम सतीं चक्रे सत्यत्वात्परसंविदः ~The wise Munis named Her 'Sati' as She was of the nature of Para Brahma and Truth Herself.❞ ~7.30.23

CREDITS :- SHADES OF DHARMA

■ Devī Bhāgavatam mentioned Devī Pārvatī as the supreme Goddess, the controller of all and the empress of the universe.

❝मद्भयाद्वाति पवनो भीत्या सूर्यश्च गच्छति । इन्द्राग्निमृत्यवस्तद्वत्साऽहं सर्वोत्तमा स्मृता ।।

Out of fear of Me the wind blows; out of fear the sun moves on his course. So too Indra, Agni, and God of Death act therefore I am remembered as the Supreme.

मत्प्रसादाद्भवद्भिस्तु जयो लब्धोऽस्ति सर्वदा । युष्मानहं नर्तयामि काष्ठपुत्तलिकोपमान् ।।

Through My Grace you have obtained victory in the battle. Know, verily, that it is I that make you all dance like inert wooden dolls as My mere Instruments ❞ ~Devī Bhāgavatam 12.8.78–79

■ Devī Gaṇeśa Jananī Durgā is worshipped by all.

❝ वैष्णवानां च शैवानामुपास्येयं च नित्यशः । मूलप्रकृतिरूपा सा सृष्टिस्थित्यन्त्कारिणी ॥

She is worshipped by all, whether a Śaiva or a Vaisnava. She is the Müla Prakṛti and from Her the creation, preservation and destruction of the universe proceed.❞ ~9.50.56

■ The 108 Śakti Pīṭhas, where Devī is eternally present together with Bhagavān Śiva, were formed from the body of Devī Satī alone. Since Śiva can never be separated from Devī, He too assumed various forms to accompany Her. These Śakti Pīṭhas are the sacred places where Devī abides eternally for the sake of Her devotees.

❝ तत्तत्स्थानेषु तत्रासीन्नानामूर्तिधरो हरः । उवाच च ततो देवान्स्थानेष्वेतेषु यो शिवाम् ।।

At each of those places where Body parts of Devī Sati fell , Hara (Śiva) was present there, assuming many different forms.

भजंति परया भक्त्या तेषां किंचित्र दुर्लभम् । नित्यं सन्निहिता यत्र निजांगेषु पराम्बिका ॥

Bhagwan Śiva :- Those who worship Devī Śiva priyā in these very places with supreme devotion, for them nothing whatsoever is difficult to obtain. For the Supreme Mother is eternally present there, united with her own limbs.❞ ~7.30.47–48

CREDITS GOES TO THE ORIGINAL CREATOR

■ She is beyond the description. No one knows the number of her names and forms. ❝ न ते नामसंख्यां न ते रूपमीदृ-क्तथा कोऽपि वेदादिदेवस्वरूपे । ~O Devī !! No one knows the number of Your names, nor is Your form of such a kind that it can be fully known न वा ते गुणानामियत्तां स्वरूपं वयं देवि जानीमहे विश्ववन्द्ये। ~O Devi, adored by all the worlds, we do not comprehend the full measure of Your attributes, nor the reality of Your own essential being❞ ~Devī Bhāgavatam 5.22.26&31

❝ अजः सृष्टिकर्ता मुकुन्दोऽवितायं हरो नाशकृद्वै पुराणे प्रसिद्धः। न किं त्वत्प्रसूतास्त्रयस्ते युगादौ त्वमेवासि सर्वस्य तेनैव माता ॥

Brahmā is renowned in the Purāṇas as the creator of the universe,Viṣṇu as its protector; and Śiva, indeed, as its destroyer. Yet these three were born from You at the beginning of the ages therefore You alone are the Mother of all..❞ ~Śrīmad Devī Bhāgavatam 5.222


~ Byee 🪷

❣️ Namaḥ Śivāya - Śrī mātṛe Namaḥ ❣️