Showing posts with label Greatest. Show all posts
Showing posts with label Greatest. Show all posts

Wednesday, December 24, 2025

Why do some people think Sridevi is overrated when she's considered one of the greatest actors of her time?

 Sridevi is first Lady Superstar of Bolly wood.Who said she is overrated ? She is an alrounder,multifaceted and multi talented.She is a complete actress. She is Goddess of Acting and acted in Hi ndi,Tamil,Malayalam,Kannada and Telegu movies. She has given iconic d ance in Nagina,Chandini and Mr India. She dressed up as Charlie Chaplin in Mr India.She was playback singer in S adma,Chandini,Kshana Kshanam and Garjana.She has also performed a div ine classic dance for Durga Sukhtam i n a temple.She is a perfect dancer too. Sridevi has given mesmerising perform ance in Sadma,by portraying the role of Nehalata a young woman who meets a car accident and suffers retrograde am nesia, losing all memory of her adult li fe.She transforms into a small child (6-7 yrs).Nehlata was kidna pped and sold into a Brothel.She come s in the eyes o f a teacher Somu ( Kamalahassan) wh o rescues and takes her home.Somu gi ves her love and care.Once her memor y comes back and comes to adult form The ending of Sadma is v ery tragic.Sri devi has potrayed as a s mall child as well as an Adult. No actress in Bollywo od can give performance like Sridevi. glSadma is remake of Balu Mahendra's T amil film, Moondram Pirai

Sridevi potrayed the role of a mother w ho was seeking justice for her step da ughter in Mom (2017).She has shown her prowess and vigour of an actress. She plays the role of a materialistic wi fe who sells her husband (Anil Kapoor) for greed of money to another woman played by Urmila Matonkar.She has als o given fabulous dance numbers.She la ter feels jealous of another woman and realised her mistake.No actress in Boll ywood can take Sridevi's can take her place in Judai and challenge.She is a n atural actress. Another memorable mo vie of Sridevi is Lamhe (1991) who play a the role of Mother and Daughter.She was looking awsome and she transfor med from Mother to Daughter.The mov ie was superhit.Sridevi debuted in Bolly wood as a child artist in Julie (1975).S he potrayed the role of Irene,younger si ster of Julie (Lakshmi).Her role was ve ry small but noticable.Sridevi potrayed the role of Step Mother of Super Star R ajinikanth in Tamil Movie,Moondru Mu dichu (1976) directed by K Balachande r.Look at her acting skills as she potra yed the role of step mother just at the age of Thirteen.Is she overrated ?

Sridevi classic movies are Gumrah,Kh uda Gawah,Ladla,Judaii,Nagina,Chaal Baz and Mr India are memorable.Sride vi's mind blowing performance was lis ted,Fourth out of Eighty Iconic Plays In Bollywood.Sridevi is endowed with the capacity to play a Bubbly Girl to a Teary Girl.She is a Perfectionist.She plays du al role in Chaalbaaz,Twin Sisters,Anju a nd Manju.Anju is worn,torn and abused while Manju is a Street Girl with lots of Courage and Smartness.Anju and Manj u are separated at birth.Manju takes re venge on Anju's cruel uncle.The movie is just like Hema Malini's, Seeta Aur Ge eta.Chaalbaaz showcases Sridevi's ve versatility as an Actresses and her Go d gifted acting skills.Roop Ki Rani Cho ron Ka Raja (1993) is another entertain ing movie of Sridevi and Anil Kapoor.T he movie has unforgettable songs.Sri devi dubbed her voice for first time in her movie Chandini(1989) as she coul d not speak Hindi when she entered Bo llywood.In her movie, Akhree Rasta (19 86) ,Rekha has dubbed her voice.Chan di movie of Sridevi is evergreen and th e song,”Tere Mere Harhon Pe" is super hit and the costumes of Sridevi in this movie has added another flavour to thi s movie directed by Yash Chopra.Sride vi portrays the role of Shashi Godbole ( 2012) who struggles to speak English and mocked by Husband as well as Da ughter.Sridevi's last movie was Mom ( 2017).Sridevi breathed her last on Feb 24,2018 in Dubai.

Hit movies of Sridevi.

List of Awards conferred to Sridevi.

Anybody has doubts whether Sridevi is Underrated,please read the answer.

(Source : Facebook and Google)

Tuesday, December 23, 2025

Who are the greatest Asuras of Indian epics?

 The strongest asuras are as follows :

Madhu and kaitabha :

  • They are created by Vishnu from two droplets of water
  • They covered the entire universe with darkness and stole the vedas from Brahma
  • Vishnu slayed them using Vaishnavastra and recreated the three worlds using their corpses .

Hiranyaksha and Hiranyakashipu :

  • They both terrorized the universe and defeated everyone except Trimurti
  • They were slain by Varaha and Narasimha

Ravana Kumbhakarna :

  • They defeated all the gods combined and conquered the three worlds
  • They were finally slained by Rama avatar

The end

Saturday, December 6, 2025

Which is the greatest disaster movie made in the Hindi film industry, Kala Pathar, The Burning Train, or some other?

 Actually nobody wants to make a disastrous movie and the movies that you have mentioned above are not that bad. They were an attempt to try something different and there is always a risk in doing so. Yash Chopra who is mainly known for his romantic musical movies also tried his hand in the thriller genre with Itefaq starring Rajesh Khanna which did not had a single song.

He tried something different with Kala Pathar. A lesser known fact is that Kala Pathar was based on a real incident Chasnala mining disaster that took place in 1975 in Dhanbad, Bihar (now known as Jharkhand.)

There was an explosion in the mine followed by flooding which killed more than 300 miners. The film did average business at the box office but was critically acclaimed and received several nominations at the Filmfare Awards.

It attained a cult status and is considered a classic in Indian cinema. Besides this the IMDb rating of the film is 7.7 which is quite good so it will not be fair to call it a disaster.

Similarly Ravi Chopra tried something different in 1980 by making The Burning Train which was inspired by a Japanese disaster film The Bullet Train. Though the film is considered a flop it was the seventh highest grosser of 1980. It can be said that the movie was some 5 to 10 years ahead of its time.

The Burning Train shows the struggle to live when you are trapped in the clutches of death. It was a different movie which did not work at that time probably might have done better if released later because the special effects in the film were quite normal.

The length of the film is a matter of concern still the film has a good repeat value. The IMDb rating of the film is 6.8 which is not that bad. Therefore these two films cannot be given the tag of being the most disastrous film of Hindi cinema.

Its my personal opinion that trying something different should not be termed as a disaster because it requires a lot of courage to go against the wind and try something different rather than follow the trend. If IMDb rating is considered as the parameter then Sadak 2 is the most disastrous film which has a rating of 1.1 otherwise it is very difficult to pick out one film and term it as the most disastrous movie of Hindi cinema.

Image(s) Courtesy: Google

Friday, November 7, 2025

Who are the greatest actors in India?

 If I look at bollywood, dileep kumar and sanjeev kumar emerged as great actors initially.

Both actors were excelled in doing different types of characters, time period when overacting is considered as superior acting, both actors have given lots of performances still looks very natural acting.

In south india things was different, during 60s, 70s, over the top acting was considered as very superior

Main stream actors like sivaji ganesan and rajkumar used to that type of acting, they changed this acting style from 80s, when people started liking natural acting,

Malayalam actor sathyan master was another example of such type of acting

These actors use to do over the top acting and celebrated as great actor.

Telugu cinema had svr and anr, both actors were the capable of doing over dramatic and natural acting and also excelled in doing different types of characters.

In the 80s Indian cinema started changing completely, trained actors from Institute shown very realistic acting.

Nasurdhin saah and ompuri increased acting standards of acting cinema, now over the top acting became irrelevant.

From 80s Indian cinema had seen lots of character artists who can be treated as very superior actors.

Tamil cinema, after MR radha, seen lots of great character artists like, Raghuvaran, prakash raj, naseer and ms bhaskar.

From Hindi cinema , paresh rawal, manoj Vajpayee, nana patekar and nawaz are considered as superior actor.

Telugu cinema had kota srinivas rao

Malayalam cinema had, barath gopi, murli, Jagthy sree kumar and kalabhavan mani.

Indian cinema also seen actors who are entertaining stars and also superior actors

Mohanlal, kamal and mamooty are the best example, who shown realistic acting in different types of characters and also emerged as biggest stars of their film industries because of their acting abilities.

Actors like amir khan seen stardom at international level, because of his great acting abilities.

Some actors seen great Stardom because of acting their acting abilities, but for a short time, like vikram and surya

Monday, October 27, 2025

Why did the greatest warriors fail before Krishna’s strategy?

 That is because intelligence is superior to Physical strength. Even the strength of the greatest of warriors fails infront of an intelligent person.

O descendant of the Bharata lineage! Deeds performed through intelligence are the best, those performed with the arms are medium, and those performed by bearing loads with the thighs are the worst.

  • 35, Prajagara parva, Mahabharata.

Krishna used his intelligence to counter formidable opponents and save the Yadavas and Pandavas alike.

Kalayavana

Kalayavana had a boon from Shiva of invincibility against the Yadavas. Krishna tricked him to chase after him by pretending to flee. Krishna lured the Yavana king into a cave where king Muchukunda was sleeping. Muchukunda had a boon from the devas that anyone who disturbs his sleep would be burned down. Krishna fooled Kalayavana into disturbing Muchukunda and as a result got burnt to ashes.

Jarasandha

Jarasandha had the largest army in the entire country and most of the kings were his allies. Krishna skillfully avoided a direct confrontation between Jarasandha's army and Indraprastha’s army by going to Magadha in disguise with Bhima and Arjuna and then getting Jarasandha killed in a one on one wrestling match with Bhima. Krishna knew that Jarasandha due his pride and arrogance will not back down from a challenge -

If that lord of men is confronted by the three of us alone, there is no doubt that he will engage one of us in a duel. Out of contempt for the worlds and his pride in himself, he will certainly challenge Bhimasena to a duel.

  • 18, Jarasandha Vadha parva, Mahabharata.

Thus Krishna averted a huge war between Magadha and Indraprastha and killed Jarasandha by using his own pride against him.

Vasavi Shakti

Karna had Indra's Vasavi Shakti with a boon of infallibility. Krishna saved Arjuna by keeping him away from Karna as much as possible, confused Karna's mind making him forget about the astra every day and then finally diverting the missile to Ghatotkacha. Krishna thus wasted the divine missile and got rid of the wicked Ghatotkacha at the same time.

Keshava has always protected Kounteya Arjuna. In the battle, that is the reason he didn't allow him to be stationed before the son of the sutaAchyuta stationed other supreme rathas there. O lord! He acted so that the infallible spear might become fallible.

‘Sanjaya said, “O king! The slayer of Madhu knew what Karna desired to do. The immensely intelligent Janardana instructed the immensely valorous Ghatotkacha, lord of the rakshasas, to engage in that duel. The intention was to make the infallible weapon useless.

  • 157, Drona Vadha parva, Mahabharata.

Drona

This was the the only time Krishna specifically made out a strategy to bring down a Kaurava warrior. Seeing Drona was especially dangerous on the 15th day, Lord Krishna came up with the strategy of demoralising him by spreading the rumour of Ashwatthama’s death. Drona in despair abandoned his weapons and is consequently killed by Dhrishtadyumna.

Tuesday, October 7, 2025

Who is the greatest and truest devotee of Lord Shiva???

 First of all, to the one from whom everyone was born, who is the first, eternal, and infinite, my salutations to the Supreme Father, Lord Shiva ❤️

According to me and my opinion, it is none other than Lord Krishna and Lord Vishnu. So, let’s explore this in our new post today ❤️😌

  1. भगवानुवाच नरस्त्वं पूर्वदेहे वै नारायणसहायवान् । बदर्या तप्तवानुग्रं तपो वर्षायुतान्बहून् त्वयि वा परमं तेजो विष्णौ वा पुरुषोत्तमे । ॥१॥

Srī Bhagavaan said, “ Oh Phalguna! In ancient times you were renowned by the name of Maharishi Nara, having Srīman Naaraayana as your companion you performed severe Austerities at Badrikashrama. Through the powers of his yogic Penance, Vishnu created you, this universe is held by the great energy manifesting out of you and Bhagavaan Purushottama.

Source :- Mahabharata Critical Edition Aranya Parva 41.1

  • In this verse from the Mahabharata (Aranyaka Parva 41.1), it is revealed that Arjuna, in his previous birth, was Maharishi Nara, who performed intense austerities at Badrikashrama together with his eternal companion, Narayana (Vishnu). Both engaged in severe penance for thousands of years, and from that penance arose immense divine energy which sustains the universe, manifesting through Nara and resting in Vishnu, the Supreme Purushottama. This passage highlights that even Vishnu, in his Narayana form, was engaged in deep tapasya (a mark of devotion) at a site traditionally associated with Lord Shiva, thereby indicating the reverence and devotion shown towards Shiva’s path of austerity.

2. केशवेन पुरा विप्र कुर्वता तप उत्तमम् । अर्चितो देवदेवेन शङ्करश्चेति नः श्रुतम् ॥ ३ देवौ तत्र जगन्नाथौ दृष्टवन्तौ पुरातनौ। अर्चयाञ्चक्रिरे देवा इन्द्राद्याः शङ्करं हरिम् ॥ ४ ।।

Janamejya said, “Oh Rishi! It has been recounted by ancient sages that at Badrikashrama, Srī Keshava through deep Penance had obtained sight of Bhagavaan Shankara and had worshipped him to obtain his Grace. All Devas with Indra at forefront, were assembled their to get the Glimpses of Parmeshvarā Shiva and Jagadishvarā Srī Hari.

Source :- Mahabharata Harivamsham Parva, Bhavishya Upaparva 73.3–4

  • In this passage it is narrated that at Badrikashrama, long ago, Shri Keshava (Vishnu) himself performed great austerities and, through his penance, obtained the divine vision of Lord Shankara, whom he then worshipped to receive his grace. The text further describes that at that very place the two eternal Lords, Shankara and Hari, were seen together, and all the gods, led by Indra, assembled to witness and worship both—the Supreme Master Shiva and the Universal Lord Hari. This clearly illustrates that even Vishnu, through his Keshava form, sought Shiva’s blessings by penance and worship, establishing that mutual reverence existed between the two Supreme Deities, with Vishnu openly acknowledging Shiva’s supremacy as Devadeva.

3.

TRANSLATION

Maharishi Pulastya said, “ Oh Gangeya! Then one should proceed to worship Badrikeshvara Mahadeva while following proper puja Viddhi. The one who Worships Mahadeva in this way avoids all Troubles and attains Heaven.

Source :- Mahabharata Critical Edition Aranya Parva 82.34

  • Maharishi Pulastya instructs that after completing the sacred journey, one should worship Badrikeshvara Mahadeva with proper rituals and devotion. He declares that whoever worships Lord Mahadeva in this way becomes free from all troubles and attains the highest heavenly realms. This shows that at Badrikashrama—the very place where Nara–Narayana performed penance and where even Keshava (Vishnu) worshipped Shiva—Mahadeva is revered as the central deity, establishing his supreme position as the one who grants liberation and divine blessings, even to the gods themselves.

4. ततो गच्छेत्सुवर्णाक्षं त्रिषु लोकेषु विश्रुतम् । यत्र विष्णुः प्रसादार्थ रुद्रमार। घयत्पुरा ॥ १६ ॥ वरांश्च सुबहूँल्लेभे दैवतेषु सुदुर्लभन् । उक्तश्च त्रिपुरग्नेन परितुष्टेन भारत ॥ १७॥ अपि चास्मत्प्रियतरो लोके कृष्ण भविष्यलि । ॥ १८॥ त्वन्मुखं च जगत्कृत्स्नं भविष्यति न संशयःतत्राभिगम्य राजेन्द्र पूजयित्वा वृषध्वजम् ।अश्वमेधमवाप्नोति गाणपत्यं च विन्दति ॥ १९ ॥

Oh best among Bharatas! One should then proceed towards the highly renowned Teertha named Survanksha. In ancient times, Vishnu Worshipped his Aradhya Rudra their and obtained his grace along with Various Rare boons. The Destroyer of Tripura was highly pleased with Vishnu's devotion and said, “Oh Hari! In future through my favours you will incarnate on earth as Krishna, You shall be invincible throughout the Universe. ” Oh Rajendra! One who goes their and Worships Bhagavaan Shiva with Devotion attain the Merits of Performing Sacred Ashwamedha Yajna, he gain the padha of Ganapati.

Source :- Mahabharata Critical Edition Aranya Parva 82. 13–19

  • In the Mahabharata (Aranyaka Parva 82.13–19), it is stated that at the sacred Survarnaksha Tirtha, Vishnu himself once worshipped his Aradhya, Rudra, in order to obtain blessings. Greatly pleased by Vishnu’s devotion, Lord Tripurari granted him rare boons and proclaimed, “O Hari, in the future, by my grace, you shall incarnate on earth as Krishna and become invincible throughout the universe. All beings shall look towards you as their guide.” The text further emphasizes that whoever visits this holy place and worships Lord Shiva with devotion acquires the merit of performing an Ashwamedha Yajna and attains the status of Ganapati. This episode clearly demonstrates not only Vishnu’s devotion and subordination to Shiva but also that his supreme incarnation as Krishna was granted and blessed directly by Mahadeva.

5. मलिकण्ठ उवाच मत्प्रसादान्यनुष्येषु देवगन्धर्वयोनिषु । अप्रमेयबलात्मा त्वं नारायण अविष्यसि ॥ ७४ ॥न च त्या प्रसहिष्यन्ति देवासुरमहोरगाः । न पिशाचा न गन्धर्षा न जरा न च राक्षसाः ॥ ७५ ॥ न सुपर्णास्तथा नागा न च विश्वे वियोनिजाः। न कश्चित्त्वां च देवोऽपि समरेषु विजेष्यति ।। ७६ ।।

Nilakantha said, “O Naryana! Through my favours, your strength and soul will be immeasurable, among men, gods and gandharvas. Gods, asuras, giant serpents, pishachas, gandharvas, men, rakshasas, birds, snakes and other beings born in this universe will not be able to withstand you. The gods will not be able to defeat you in a battle. Through my favours, no one will ever be able to cause you injury through weapons, the vajra, fire, wind, an object that is wet or dry, or an object that is mobile or immobile. ”

  • Source :- Mahabharata Critical Edition Naaraāyanāstra Moksha Parva 172.74–76

6. मलिकण्ठ उवाच मत्प्रसादान्यनुष्येषु देवगन्धर्वयोनिषु । अप्रमेयबलात्मा त्वं नारायण अविष्यसि ॥ ७४ ॥न च त्या प्रसहिष्यन्ति देवासुरमहोरगाः । न पिशाचा न गन्धर्षा न जरा न च राक्षसाः ॥ ७५ ॥ न सुपर्णास्तथा नागा न च विश्वे वियोनिजाः। न कश्चित्त्वां च देवोऽपि समरेषु विजेष्यति ।। ७६ ।।

Nilakantha said, “O Naryana! Through my favours, your strength and soul will be immeasurable, among men, gods and gandharvas. Gods, asuras, giant serpents, pishachas, gandharvas, men, rakshasas, birds, snakes and other beings born in this universe will not be able to withstand you. The gods will not be able to defeat you in a battle. Through my favours, no one will ever be able to cause you injury through weapons, the vajra, fire, wind, an object that is wet or dry, or an object that is mobile or immobile. ”

Source :- Mahabharata Critical Edition Naaraāyanāstra Moksha Parva 172.74–76

7. ऽसौ नारायणो नाम पूर्वेषामपि पूर्वजः । अजायत व कार्यार्थ पुत्रो धर्मस्य विश्वकृत् ॥ ५१ ॥

Srīman Vyasa said, “Oh Drona Kumar! The one who is the most ancient of all our Ancestors is that Vishwadhari Bhagavaan Naaraāyanaā. For having Desire to obtain Prayojanak Siddhi, he became Dharma's Son. He went to Mountains to Practice Tapas.

Source :- Mahabharata Critical Edition Naaraāyanāstra Moksha Parva 172. 51

8. व्यास उवाच एवमेते बरा लब्धाः पुरस्ताद्विद्धि शौरिणा । स एष देवश्चरति मायया मोहयञ्जगत् ॥ ७९॥

Srīman Vyasa said, “Oh Ashwathama! Know that this Krishna was Previously Called Naaraāyanaā who desiring Fame Had Worshipped Mahadeva for boons, it is that Ishvara Alone that today roams Throughout the three world confining everything in his Maya.

Source :- Mahabharata Critical Edition Naaraāyanāstra Moksha Parva 172. 89

9. अस्तौषं त्वां तब संमानमिष्छन्विचिन्वन्वै लवृषं देववर्य । ॥ ७२ ॥ सुदुर्लभान्देहि बरान्ममेष्टानभिष्टुतः प्रतिकार्षीश्च ना माम्

Srīman Naaraāyanaā spoke, “ Oh Sureshvarā! I have worshipped you with Stutis and indulging myself in Yoga, I have constantly worshipped you as Parmeshvarā, having meditated upon you for a long time, who is completely worthy of praise. Please be pleased with my praise, remove your Maya and grant me the rare boon that I desire. Please do not be against me. ”

Source :- Mahabharata Critical Edition Naaraāyanāstra Moksha Parva 172.72

10. वृणीष्वाष्टौ बरान्कृष्ण दातास्मि तव सत्तम । ब्रूहि यावषशार्दूल यानिच्छसि सुदुर्लभान् ॥५१॥

Bhagavaan Shiva said, “Oh Truthful Krishna! I am deeply pleased with you, ask any eight boons and I shall grant them to you, Oh Best among Yadus! Their is no doubt about it.

Source :- Mahabharata Critical Edition Anusasshan Parva 15.51

11. कृष्ण उवाच一सूर्धा निपत्य नियतस्तेजःसंनिचये ततः । परनं हर्षभागम्य भगवन्तमथाब्रुवम् ॥१॥ धर्ने दृढत्वं युधि शत्रुधातं यशस्तथाग्यं परमं बलं च । योगप्रियत्वं तब संनिकर्ष वृणे सुतानां च शतं शतानि ॥२॥

Krishna said, “I bowed my head down before that great mass of energy. Filled with great delight, I told the illustrious one, ‘Firmness in dharma, the ability to destroy enemies in battle, fame, ferocity, supreme strength, devotion to yoga, your proximity and hundreds and hundreds of sons—these are the boons I seek.’ Hearing so Shankara said “So be it ”.

Source :- Mahabharata Critical Edition Anusasshan Parva 16.1–2

12. दत्तो अगवता पुत्रः साम्बो नाम तवानघ । मत्तोऽप्यष्टौ बरानिष्टान्गृहाण त्वं ददामि ते । प्रणम्य शिरसा सा च मयोक्ता पाण्डुनन्दन ॥५॥

Sharvani Uma, spoke to me. ‘O unblemished one! The illustrious one has granted you a son named Samba. Ask for eight boons from me too and I will grant them to you.’

Source :- Mahabharata Critical Edition Anusasshan Parva 16.5

13. द्विजेष्षकोपं पितृतः प्रसादं शतं सुलानालुओर्ग परं च । कुले प्रीतिं मातृतश्च प्रलादं शममाप्तिं प्रवृणे चापि दाक्ष्यम् ॥६॥देव्युवाच एवं भविष्यत्यमरप्रभाव नाई मृषा जातु बदे कदाचित् । आर्यालहस्राणि च षोडशेव तालु प्रिथत्वं च तथाक्षयत्वश् ॥७॥ प्रीर्ति चाग्यां बान्धवानां सकाशाद्ददामि ते चपुषः काम्यतां च । भोक्ष्यन्ते वै सप्ततिर्वै शतानि गृहे तुभ्यअतिथीनां च नित्यम् ॥८॥

thus I bowed my head down before her and said, ‘Lack of anger towards brahmanas, the favours of my father, hundreds of sons, supreme objects of pleasure, affection towards my family, the favours of my mother, the attainment of tranquility and skill—these are the boons I seek.’ The goddess replied, ‘It shall be that way. You will possess the power of of immortality. I never speak anything that is false.

Source :- Mahabharata Critical Edition Anusasshan Parva 16.6–8

14. न हि मे केनचिद्देयो वरः पाण्डवनन्दन । इति संचिन्त्य मनसा पुराणं विश्वमीश्वरम् । पुत्रार्थमाराधितवानात्मानमहमात्मना ॥ २५॥ न हि विष्णुः प्रणमति कस्मैचिद्विबुधाय तु । ऋत आत्मानमेवेति ततो रुद्रं भजाम्यहम् ॥ २६ ॥

Oh Son of Pandu! There is none asides Rudra who is capable of granting me a boon. In ancient times, I for obtaining Samba Worshiped that Vishveshvara Mahadeva for the sake of obtaining a son. There is no other god that Vishnu bows down before, with the exception of Rudra, who is my own Atman.

Source :- Mahabharata Critical Edition Shanti Parva 328.25–26

15. मनीषितानामर्थानां प्राप्तिस्ते सुरसत्तम। पारिजातं च हर्तासि मा भूत् ते मनसो व्यथा ॥ ३६ ।। यथा मैनाकमाश्रित्य तपस्त्वमकरोः प्रभो। तथा मम वरं कृष्ण संस्मृत्य स्थैर्यमाप्नुहि ॥ ३७ ।।

Bhagavaan Spoke, “O Valiant Krishna! In Ancient Times you Undertook Servere penance at Mount Manika Through which You Obtained a Boon from me. You shall be incapable of being slain', 'You shall be invincible, and 'You shall be ever more Indomitable than myself ’—these and such words which I spoke to you will never be falsified.

Source :- Mahabharata Harivamsham Parva, Vishnu Upaparva 74.36–37

HAR HAR MAHADEV

SHIV SHIV 😌❤️