Showing posts with label Main. Show all posts
Showing posts with label Main. Show all posts

Tuesday, October 6, 2026

Who are the main Gods in Hinduism? Are there any other important deities besides Brahma, Vishnu, and Maheshwara?

 Om Namo Bhagavate Vasudevaya!

Beyond the Trimurti (i.e., Brahma, Vishnu, and Maheshwara), there is ParaBrahman (i.e., ParaVasudeva of the Vaishnavas, Nirguna Brahman of the Advaitins/Smartas, ParaShiva of the Shaivas, or Adi ParaShakti of the Shaktas).

ParaBrahman is the source of this universe and countless others.

janmādy asya yataḥ

Translation:

“(ParaBrahman) is He from Whom everything emanates.” - Brahma Sutras 1.1.2

ParaBrahman is the Lord of all beings and the source of devi-devatas’ names, roles, and powers.

yo naḥ pitā janitā yo vidhātā dhāmāni veda bhuvanāni viśvā
yo devānāṃ nāmadhā eka eva taṃ sampraśnam bhuvanā yanty anyā

Translation:

“He (i.e., ParaBrahman) who is our preserver, our parent, the creator, who knows our abodes and knows all beings, who is the name-giver and name-bearer of the devas – He is one; other beings come to Him to enquire." - Rig Veda 10.82.3

The devi-devatas represent the different aspects of ParaBrahman’s shakti, and they are part and parcel of ParaBrahman.

indram mitraṃ varuṇam agnim āhur atho divyaḥ sa suparṇo garutmān
ekaṃ sad viprā bahudhā vadanty agniṃ yamam mātariśvānam āhuḥ

Translation:

“They have styled Him (i.e., ParaBrahman), Surya, Indra, Mitra, Varuṇa, Agni, and He is the celestial, well-winged Garuda, for learned priests call one by many names as they speak of Agni, Yama, Mātariśvan.” - Rig Veda 1.164.46

ParaBrahman is also known as being ‘purna’ (‘complete’ or ‘full’ of transcendental essence/quality).

oṁ pūrṇam adaḥ pūrṇam idaṁ pūrṇāt pūrṇam udacyate pūrṇasya pūrṇam ādāya pūrṇam evāvaśiṣyate

Translation:

“The Personality of Godhead is perfect and complete, and because He is completely perfect, all emanations from Him, such as this phenomenal world, are perfectly equipped as complete wholes. Whatever is produced of the Complete Whole is also complete in itself. Because He is the Complete Whole, even though so many complete units emanate from Him, He remains the complete balance.” - Isha/Brihadaranyaka Upanishad Introductory Invocation

ParaBrahman cannot be known through our five bodily senses.

tadvā etadakśaraṃ gārgyadṛṣṭaṃ draṣṭṛ aśrutaṃ śrottṛ amataṃ mantṛ avijñātaṃ vijñātṛ nānyadato'sti draṣṭṛ nānyadato'sti śrotṛ nānyadato'sti mantṛ nānyadato'sti vijñātṛ etasminnu khalvakśare gārgyākāśa otaśca protaśceti

Translation:

“This Immutable, O Gārgī, is never seen but is the Witness; It is never heard, but is the Hearer; It is never thought but is the Thinker; It is never known, but is the Knower. There is no other witness but This, no other hearer but This, no other thinker but This, no other knower but This. By this Immutable, O Gārgī, is the space pervaded.” - Brihadaranyaka Upanishad 3.8.11

ParaBrahman can only be known from the authorities of scripture.

śāstra-yonitvāt

Translation:

“Because He (i.e., ParaBrahman) may only be known by the Vedic scriptures.” - Brahma Sutras 1.1.3

The nature of ParaBrahman is nirguna (i.e., devoid of and beyond material qualities) and saguna (i.e., of transcendental quality).

tam īśvarāṇāṃ paramaṃ maheśvaraṃ taṃ devatānāṃ paramaṃ ca daivataṃ
patiṃ patīnāṃ paramaṃ parastād vidāma devaṃ bhuvaneśam īḍyam
na tasya kāryaṃ karaṇaṃ ca vidyate na tatsamaś cābhyadhikaś ca dṛśyate
parāsya śaktir vividhaiva śrūyate svābhāvikī jñānabalakriyā ca
na tasya kaścit patir asti loke na ceśitā naiva ca tasya liṅgaṃ
sa kāraṇaṃ karaṇādhipādhipo na cāsya kaścij janitā na cādhipaḥ

Translation:

“We know Him who is the Supreme Lord of lords, the Supreme Deity of deities, the Ruler of rulers; who is higher than the imperishable prakriti and is the self-luminous, adorable Lord of the world. He is without a body or organs; none like unto Him is seen, or better than He. The Vedas speak of His exalted power, which is innate and capable of producing diverse effects, and also of His omniscience and might. He has no master in the world, no ruler, nor is there even a sign of Him by which He can be inferred. He is the cause, the Lord of the lord of the organs; and He is without progenitor or controller.” - Svetasvatara Upanishad 6.7–9

ParaBrahman is transpersonal (i.e., beyond personality) with both impersonal (i.e., Brahman) and personal aspects (i.e., Bhagavan), as well as an immanent aspect (i.e., Paramatma).

vadanti tat tattva-vidas tattvaṁ yaj jñānam advayam brahmeti paramātmeti bhagavān iti śabdyate

Translation:

“Learned transcendentalists who know the Absolute Truth call this nondual substance Brahman, Paramātmā or Bhagavān.” - Srimad Bhagavatam 1.2.11

The ways of ParaBrahman are seemingly contradictory.

tad ejati tan naijati tad dūre tad v antike tad antar asya sarvasya tad u sarvasyāsya bāhyataḥ

Translation:

“The Supreme Lord walks and does not walk. He is far away, but He is very near as well. He is within everything, and yet He is outside of everything.” - Isha Upanishad 5

ParaBrahman is represented by the sound/mantra/symbol ‘Om’.

sarve vedā yatpadamāmananti tapām̐si sarvāṇi ca yadvadanti yadicchanto brahmacaryaṃ caranti tatte padm̐ saṃgraheṇa bravīmyomityetat etaddhyevākśaraṃ brahma etaddhyevākśaraṃ param etaddhyevākśaraṃ jñātvā yo yadicchati tasya tat

Translation:

“The goal which all the Vedas uniformly extol, which all acts of tapas speak of, and wishing for which men lead the life of a Brahmacharin, that goal I tell you briefly — It is this — Om. This word is, indeed, Brahman, this word is, in deed, the highest; whoso knows this word obtains, indeed, whatever he wishes for.” - Katha Upanishad 1.2.15–16

Hare Krishna

Saturday, June 27, 2026

What is the main message of the Mahabharata?

 Main Message —

“ Women or Weak-Men cause destruction. So Be aware ”

In Mahabharata, women plays a stronger role than men. From Shantanu Ganga story to Gandhari's curse in the end, women are shown superior. They are even shown superior to God. They are not shown as devoted to husbands household or family but the other way around. Now think about the kind of women it depicts

Women in Mahabharata are decisive characters, controlling, reasonable and intellectual than their men counterparts around. Men also are shown as weak, which adds a strong bonus to destruction. Manhood is crushed pathetically, but presented in a great literary style. In some cases men are virtually absent (pandavas Father). Brotherhood, manhood, Fatherhood are all strategically erased in the epic.

Its a women who demanded Shantanu to never question her actions, which lead to 7 infanticide. Its a women who wins against the penance of a hermit (Parasara muni). Its a women who demanded her son (Vyasa) to copulate 3 women under emergency in between his meditation. It's a women whose behavior caused Vidur to be virtuous amidst the politics and hateful set up. It's women who builds up characters in pandavas and their cousins. It's a women who turns prostitue from piousness under influence of her mother in law. It's a women who broke her child's heart (Karna). It's women who even cursed the God. And so on…

So, you could finally conclude that Mahabharata is an epic that glorifies women ego, unbiased of any moral questions. It never depicts the feminine innocence that brings joy to the world, rather the rebellious traits in a women. It's an ancient text that rebels towards patriarchy, questions manhood, revolts masculinity only to bring bloodshed and immorality of highest kind. So, the advice is read the epic but with great caution towards the influence it brings upon your heart mind and soul.

OM BRAHMANAYE NAMAHA 🕉

Saturday, May 2, 2026

What are the main attractions and spiritual significance of the new Ayodhya Ram Mandir?

Lord Sri Ram Mandir is known for its unique features.

Lord Rama : Lord Ram’s idol was sculpted by Arun Yogiraj , Mysuru based sculptor.

This 51 inch idol was sculpted according to ancient Shilpa Shastra.

Shaligram : Its main idols are sculpted from 60 million old Shaligram rocks.

These sacred stones were specifically sourced from Gandaki river in Nepal.

Surya Tilak : It is a rare temple where Sun rays touch it on specific days.

Lord Surya Narayan is Kuldev of Lord Sri Ram.

Architecture : This grand temple is built on Nagara style.

Nagara style is an ancient form of temple architecture.

Strong : Many architects believe, this shrine can last over 1000 years.

Interestingly, it was constructed without cement , iron and steel.

Grand : It has 392 pillars; 44 doors and a long wall.

It is also known for its 2100 kg Ashtdhatu (8 metals) bell.

Prayer : Sri Ganeshaya Namah Sri Ram Jai Ram Jai Jai Ram Namo Parvatipataye Har Har Mahadev

Jai Jai Jai Hanuman Gosai Kripa Karo Gurudev Ki Nai

Pic Credits : Google Images / Web

Thursday, April 23, 2026

Who is the main murti at Vaishno Devi?

 Unlike many traditional Hindu temples, there is no main sculpted "murti" (idol or statue) . Instead, the Devi reveals herself in a natural petrified rock form known as the holy pindis.

The holy pindis are the main focus for devotees. These consist of three heads emerging from a single rock. Each head has a distinct color and texture. They symbolize the three Shaktis of the universe:

  • Mata Maha Saraswati: On the left, with a whitish color, she represents the Supreme Energy of Creation and Satva Guna (purity, wisdom, and knowledge).
  • Mata Maha Lakshmi: In the center, with a yellowish-red color, she represents the Supreme Energy of Maintenance and Rajas Guna (wealth, prosperity, and inspiration).
  • Mata Maha Kali: On the right, and black in color, she represents the Supreme Energy of Dissolution and Tamas Guna (the power to conquer darkness and the unknown).

Mata Vaishno Devi is worshipped as the supreme form embodying all three of these divine energies. Sometimes, the Maha Lakshmi pindi is also referred to as the Vaishno Devi pindi.

While the natural rock pindis are the absolute focal point of worship, there are several precious modern sculpted images and idols accommodated on the holy platform behind the pindis.

  • An image of Mahalakshmi made of 65 Tolas of gold, which was donated by Maharaja Pratap Singh (though sometimes commonly misattributed to Maharaja Gulab Singh)
  • A golden image of Mata Vaishno Devi riding a lion, weighing 22 Tolas, which was donated by Dr. Karan Singh in 1977
  • Two images of Mahasaraswati, one made of white marble in a sitting posture with four hands, and another cast in brass.
  • Two modern images of Mahakali, one made of white marble and the other crafted from an alloy of eight metals (Ashtadhatu).

Despite the presence of these ornate donated idols, the Shrine Board officially guides pilgrims to focus their attention entirely on the natural rock pindis. To ensure that devotees are not distracted from the true Sanctum Sanctorum, the donated idols located behind the pindis are deliberately covered with a curtain during darshan times.

Jay Maa Pindirani